the sun never sets on lucille ball

accio-twh asked: "Hi,Just wanted to say first of all I love your blog,seriously I could spend hours just scrolling down all your pages. Second,I was wondering do you know any websites where I could watch I Love Lucy?? Thanks ;D"

Thanks so much :) You can watch I Love Lucy here and here, you have to put up with ads and not all the episodes are available tho. Also, this website has some as well. 


The movie Too Many Girls (1940) has been put up on Youtube in full. This is the movie that Lucy and Desi met and then fell in love on the set of. They don’t have many scenes together nor is it a particularly great movie, but I thought I’d leave it here in case anyone wanted to check it out. Remember, these get taken down fast! :)



In 1961, I auditioned for the chorus of Michael Kidd’s new Broadway show, Wildcat, a musical starring Lucille Ball. I’d grown up loving her feature films and landmark TV show, so seeing Lucy in person was stunning. With her dazzling aquamarine eyes, fiery hair, and luminescent skin, Lucy seemed to radiate light from within. She was wonderful, warm, and friendly to the entire cast.
The first time the cast convened to read the script, Lucy insisted that everyone introduce him- or herself. I was sitting next to a beautiful, petite brunette named Penny Ann who had worn hip hugger pants to the audition. When Penny Ann said her name, Lucy looked up from her script and said, “What’s a Penny Ann?” Then she looked directly at Penny and said, “Look at those saucer eyes, that’s a Penny Ann.”
Lucy looked after all of us. The first time she visited us in our chorus dressing room, she was shocked by how grim it was. She came from Hollywood, the land of clean, well-lit dressing rooms, so she was unaccustomed to the lack of glamour backstage in the old Broadway theaters. When she saw the rough, dirty cinder-block walls, she exclaimed, “I don’t want you living like this. We’ve got to paint the room.”
A few days later, she returned. “Kids, the union says that we can’t paint the dressing room. So how about we all sneak in on the weekend and do it behind their backs.” When the management got wind of what Lucy was up to, they immediately saw to it that the dressing room was painted. It was clear she used her stardom to help us. When I gave Penny Ann a shower for her upcoming wedding, Lucy sent a blender. A real state of the art blender was a big deal in those days.
Although the show got lukewarm reviews, people flocked to the theater expecting to see Lucy Ricardo, the wacky housewife from I Love Lucy. When the curtain went up, though, they embraced the tough oil prospector Lucy played in Wildcat. With her mile long legs and huge personality, Lucy filled the theater and enthralled the audience.
One night she truly outdid herself. There was a scene that involved Lucy; her sister Janie, played by Paula Stewart; a ritzy countess, played by Edith King; and a little Yorkshire terrier. The dog was unbelievably well trained, and every performance, he dutily followed behind Edith, Lucy, and Paula as they crossed the stage. One evening as the Yorkie was making his cross, he suddenly stopped center stage, assumed the position, and pooped. The audience went wild. Edith froze. Lucy dashed off stage and urgently asked the stage manager to hand over a broom and a upright dustpan. She returned to the stage and swept up the offending little pile and then turned to the audience. “Next time I’ll read the fine print in my contract.” The audience exploded with laughter and applause. After the show, Lucy confided to the cast that she was glad it had been a Yorkshire terrier and not a Great Dane.
Wildcat had its share of problems. Lucy suffered bouts of exhaustion and got injured during a performance when part of the oil rig hit her on the head. She was forced to take several leaves of abscence during which the show was dark. But when she recovered, she soldiered on immediately. If not for Lucy’s immense draw, I think we would have closed earlier than we did. 

- Valerie Harper (far right) recounts her experience with Lucille Ball on the Broadway play Wildcat, “I Rhoda”

In 1961, I auditioned for the chorus of Michael Kidd’s new Broadway show, Wildcat, a musical starring Lucille Ball. I’d grown up loving her feature films and landmark TV show, so seeing Lucy in person was stunning. With her dazzling aquamarine eyes, fiery hair, and luminescent skin, Lucy seemed to radiate light from within. She was wonderful, warm, and friendly to the entire cast.

The first time the cast convened to read the script, Lucy insisted that everyone introduce him- or herself. I was sitting next to a beautiful, petite brunette named Penny Ann who had worn hip hugger pants to the audition. When Penny Ann said her name, Lucy looked up from her script and said, “What’s a Penny Ann?” Then she looked directly at Penny and said, “Look at those saucer eyes, that’s a Penny Ann.”

Lucy looked after all of us. The first time she visited us in our chorus dressing room, she was shocked by how grim it was. She came from Hollywood, the land of clean, well-lit dressing rooms, so she was unaccustomed to the lack of glamour backstage in the old Broadway theaters. When she saw the rough, dirty cinder-block walls, she exclaimed, “I don’t want you living like this. We’ve got to paint the room.”

A few days later, she returned. “Kids, the union says that we can’t paint the dressing room. So how about we all sneak in on the weekend and do it behind their backs.” When the management got wind of what Lucy was up to, they immediately saw to it that the dressing room was painted. It was clear she used her stardom to help us. When I gave Penny Ann a shower for her upcoming wedding, Lucy sent a blender. A real state of the art blender was a big deal in those days.

Although the show got lukewarm reviews, people flocked to the theater expecting to see Lucy Ricardo, the wacky housewife from I Love Lucy. When the curtain went up, though, they embraced the tough oil prospector Lucy played in Wildcat. With her mile long legs and huge personality, Lucy filled the theater and enthralled the audience.

One night she truly outdid herself. There was a scene that involved Lucy; her sister Janie, played by Paula Stewart; a ritzy countess, played by Edith King; and a little Yorkshire terrier. The dog was unbelievably well trained, and every performance, he dutily followed behind Edith, Lucy, and Paula as they crossed the stage. One evening as the Yorkie was making his cross, he suddenly stopped center stage, assumed the position, and pooped. The audience went wild. Edith froze. Lucy dashed off stage and urgently asked the stage manager to hand over a broom and a upright dustpan. She returned to the stage and swept up the offending little pile and then turned to the audience. “Next time I’ll read the fine print in my contract.” The audience exploded with laughter and applause. After the show, Lucy confided to the cast that she was glad it had been a Yorkshire terrier and not a Great Dane.

Wildcat had its share of problems. Lucy suffered bouts of exhaustion and got injured during a performance when part of the oil rig hit her on the head. She was forced to take several leaves of abscence during which the show was dark. But when she recovered, she soldiered on immediately. If not for Lucy’s immense draw, I think we would have closed earlier than we did. 

- Valerie Harper (far right) recounts her experience with Lucille Ball on the Broadway play Wildcat, “I Rhoda”


Lucille Ball in Two Smart People (1946).


It’s a love match on the show. I don’t care what anybody else says.. you cannot fake that, inherently, on the air. 

Martin Leeds, Desilu executive 



mariedeflor:

... for making us smile and laugh through the tears.
 August 6, 1911 - April 26, 1989


Rest in peace, Lucille Désirée Ball

AUGUST 6, 1911 - APRIL 26, 1989

“It may be that during business hours God and the angels sit around watching six-hour documentaries, but in the back family room they’re watching I Love Lucy. I believe there is laughter in heaven because Lucille Ball is there.”

-Diane Sawyer

“She is one of the few individuals in history to be on a solely first name basis with the world: Marilyn, Elvis, Lucy. She was a national treasure. She remains a world icon, recognizable from Tallahassee to Timbuktu  from Paduach to Peru. No other performer in any medium of either sex has inspired the devotion and generated the international love and appreciation that she has. Said one admirer: “Lucy…is a common denominator for nations, continents, and hemispheres, doing in entertainment what others have not accomplished in professional diplomacy.” 

-“Women Pioneers in Television”


ilovelucyball:

Lucille Ball with Lily Pons on the set of That Girl From Paris (1936)

ilovelucyball:

Lucille Ball with Lily Pons on the set of That Girl From Paris (1936)


Lucille Ball, accompanied by costars William Frawley and Vivian Vance, visiting a children’s hospital in New York, 1950s.